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Blackmagic Design

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Cinematographer Tal Yarden used a range of Blackmagic Design cameras and ATEM switchers to bring the Tony winning Broadway play “Network” to life on stage, recreating a live news broadcast for the audience. Pictured in the photos is the tech crew on the London production who used Blackmagic Micro Studio Camera 4K, Blackmagic Studio Camera, Video Assist 4K, ATEM 2 M/E Production Studio 4K and ATEM 1 M/E Advanced Panel to film and live switch the performance. Yarden explained, “The Micro Studio Camera 4Ks were in constant use and were the main cameras for the show. We did many long fluid steadicam shots navigating around the set and catching moments of action in a complex choreography.” Learn more at Production credit: @networkbway  

Apex Broadcast recently installed the ATEM Constellation 8K in their custom built OB truck to help broadcast the Blancpain GT World Challenge America. The workflow is complemented by 13 URSA Broadcast cameras, additional ATEM switchers and panels, HyperDeck Studio broadcast decks and more. “The 4 M/Es on the ATEM Constellation 8K have given us tons of flexibility in terms of what we feed to different broadcast destinations during the races. In a given show, we’ll have our primary cut which is going to the television network. Then, often times, there is a screen cut that is sent to jumbos or to a TV nearby” explained Apex founder Clark Cambern. Learn more at

Blackmagic URSA Mini Pro and Blackmagic RAW were used to capture Diplo’s latest music video, ‘So Long’, featuring country artist Cam. Director Brandon Dermer and cinematographer Wojciech Kielar chose a shooting style that captured the feeling of Stagecoach while also keeping the rich saturation of electronic dance music. “We married the best parts of those looks together,” said Kielar, “and had a plan to give the video a gritty feel, while also saturating colors.” They turned to colorist Ryan McNeal to create the final look using DaVinci Resolve Studio. Artist Credits: @Diplo @camcountry @brandondermer @rkmstudios_color    

Pulitzer Prize winning filmmaker and photographer, Vincent Laforet talks about shooting with the Blackmagic Pocket Cinema Camera 4K, and how important the dynamic range was in capturing the extreme conditions of the Wyoming wilderness. “What’s impressive about this package is the micro four thirds sensor. This sensor has an incredible roll off of highlights that I seldom see which really opens up your ability to capture an incredible dynamic range, from the deep shadows to extremely high highlights all the way to the sunlight”. Watch the full video at Artist credit: @vincentlaforet   

While shooting in New York City, directors Sam Roden and Nick Hartanto relied on the small size and light weight of Blackmagic Design cameras to squeeze into corners and tight locations for ‘The Dishwasher’. Colorist Marco Cordero then used DaVinci Resolve to grade the short film by Rodanti, which premiered at Tribeca Film Festival. Artist Credit: @samdotroden @nickhartanto @marcocordero Production credit: @dishwashershort @_rodanti_

Battling everything from dust storms to high temperatures, filmmaker Bryan Harris counted on Blackmagic URSA Mini Pro while capturing the old west for ‘A Prayer for the Damned’. He then used DaVinci Resolve Studio for the film’s editing, grading and audio, often jumping back and forth between the Fairlight and Color pages so he could audition different audio options with different color grades to ensure each scene’s tone fit the story. Artist credit: @thebryantharris

The latest story from Splice Community (@splicecommunity), ‘Nulla’, is now available. Jean Claude Billmaier’s dance film explores the idea of total freedom by letting everything in your body go in an ecstatic outpouring of energy. Artist credit: Watch the video and read the full story at

Josh Groban’s ‘Bridges’ Tour has relied on multiple Blackmagic URSA Broadcast camera chains and a purpose built ATEM 2 M/E Broadcast Studio 4K desk for vision mixing to produce live big screen content and unique video backdrops. The solution allowed Vis-A-Vis to create an intimate and uplifting energy in huge venues including Madison Square Gardens and London’s O2 Arena. Find out more about how Vis-A-Vis Video’s uses Blackmagic Design in this short film: Production Credit: @visavisvideo

DaVinci Resolve Studio was used for post production on the Steve Vai VFX heavy music video, which included the building of alien landscapes and combining 2D and 3D elements to create unique environments with Fusion and the extensive use of Resolve Studio’s matte, keying and collaboration features. Blackmagic URSA Mini Pro was also used to shoot at several different frame rates to achieve unnatural and unearthly movements of the band members. Learn more at

On @jessglynne’s UK tour, Transition Video relied on an ATEM 2 M/E Production Studio 4K to take live camera feeds, pre-recorded content and custom graphics from a HyperDeck Studio Pro. An HD TX feed was mixed on an ATEM 1 M/E Broadcast Panel and mapped to dual IMAG screens. Photo credit: @projoephotography

Bohemian Rhapsody was graded in DaVinci Resolve Studio by Company 3 colorist Greg Fisher, who emulated an analogue film look to suit the Queen biopic’s 1980s setting. Credit: @company_3 Watch the trailer at

The star studded new spot for BBC Sounds app, which features Jared Leto, Idris Elba, Rita Ora and Kylie Minogue, was finished in DaVinci Resolve. Mixed in Fairlight by 750mph’s Sam Ashwell, the spot was graded by Time Based Arts colorist Simone Grattarola. Picture Post: @timebasedarts Audio Post: @750_mph Watch the spot at

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